![]() The other explanation is that fashion means working with of female models. It partially explains why so many photographers are men, we like gear. Right?Īs a working photographer, we have tons (yes metric tons) of gear. Artists, absolutely on any subject are always talking drivel. Never trust any artist ever telling you any bloody thing, they're all a bunch of liars. Look at that plug I'm looking at, and it's so isolated there. Art photography is a very very modern idea. You know, the next day that whole thing is wrapped in your fish and chips in it. I just thought a photograph was almost immediate. Interviewer: Why did you never have a show before?ĭuffy: I never thought of it. Drobo dashboard cyan color professional#Of bringing a great many skills together to make a picture that would satisfy the professional brief, work on the page, fulfill the client's expectations. I think he loved the technical challenge of having to fulfill a brief. I think he was a terrific problem solver. But you can't tell how it will be responded to. Interviewer: When you take a picture like that, do you know that you've captured something great?ĭuffy: No, no not great, I know that I've done a very competent job, up to the standard of which I would want to work. except I'm Asian and I can't grow a proper beard to save my life.Īll joking aside, I know a lot of photographers that enjoy taking in multiple influences regularly, subscribing to blogs, RSS feeds, etc. Hell, I'm practically a beard away from being a hermit. You could say I live in a cave or a hole whichever is darker and more removed from the world. 95% of my time is spent producing pictures and at most 5% is spent absorbing influences. But guess who's the real moron? Me, for not appreciating the humanness of his captures.Ģ) I don't usually take in too much in the form of influence. I used to think he was a talentless hack. This is unusual for the following reasons:ġ) I used to hate Terry Richardson. I've also been following a few photographers that lean towards Richardson's work. Recently I've been looking at Terry Richardson's work and marveling at his ability to capture human elements in still images. 10 months from now I'm going to be looking for this post and I'll look at the post and really think that I've written some crap about silly putty and the Terminator T1000.Īll joking aside, I was going to touch upon influences. ![]() ![]() My post titles are so randomly named and fragmented in thought that I never know what the hell the post is about just by looking at the title. The problem lies in my "title naming convention". But when I skim the titles of my old posts, I can never find what I'm looking for. I suggest staying close (don't shoot from 20 feet away) to allow for faster light drop-off.Īs an aside, I sometimes I need to reference old blog posts. Shot with the Nikon D3 and SB-800 mounted on the camera. While the lighting is flat, it's still above the camera axis. Good definition via makeup is paramount to allowing this to work. A model with well-defined facial features will help in this situation. As use more and more of my margin for error to accommodate the human elements as well as the romance of photography :)Ī couple notes that I'm sure will come up in questions and other thought as a result of viewing these images: Drobo dashboard cyan color skin#It is nice to work with models like Kristen who don't have pores and are therefore not susceptible to breakouts or flaws of the skin :) And aside from color/exposure corrections, these images are camera-raw. It was a pleasure working with a model with such high-energy levels. ![]() That's a function of the process of the shoot as well as the evocative expressions from the images themselves. The following image of Kristen evokes so much emotion from me. While I'll never turn my back on the "technicalities", seeing how I'm so deeply rooted in the solid foundation of the technical aspects of photography, I am very much enamored by the "romance" right now. these technicalities were what caused me to disregard Terry Richardson as a legitimate photographer.Ī lot of thoughts have occurred since this realization. The angles, the light fall-off, the modifiers. For too long I had been knee-deep in technicalities. Sure the presentation of framed pictures on the wall along with the studio space helps with that, but I think I largely overlooked the human element of photography. this unforgettable quote really picked up mental traction when I started thinking about the entire process of creating a single image.Īnd how I had been neglecting the underlying "romance" in the creation of the image. While our conversation was in reference to the presentation of the images in my studio and the resulting impact they had on my clients, models, talent etc. ![]() The way the images are made is easily as important as the pictures themselves. I have this awesome quote on photography from my buddy Ernest Wright. ![]()
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